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ONE MAN POE: PLOT SUMMARIES (SPOLIERS!)





PART I: The Tell-Tale Heart





First published in 1843.


A short story, related by an unnamed narrator who endeavours to convince the reader of the narrator's sanity while simultaneously describing a murder the narrator committed. The victim was an old man with a filmy pale blue "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, attempting the perfect crime, complete with dismembering the body in the bathtub and hiding it under the floorboards. Ultimately, the narrator's actions result in hearing a thumping sound, which the narrator interprets as the dead man's beating heart. This is how he is eventually found out by the police.



PART II: The Pit and the Pendulum





First published in 1842.


The story is about the torments endured by a prisoner of the Spanish Inquisition, though Poe skews historical facts.


The unnamed narrator is brought to trial before sinister judges of the Spanish Inquisition. Poe provides no explanation of why he is there or of the charges on which he is being tried. Before him are seven tall white candles on a table, and, as they burn down, his hopes of survival also diminish. He is condemned to death, whereupon he faints and later awakens to find himself in a totally dark room. At first the prisoner thinks that he is locked in a tomb, but then he discovers that he is in a cell.


He tries to measure the cell, and while crossing the room, he trips on the hem of his robe and falls, his chin landing at the edge of a deep pit. He realizes that had he not tripped, he would have fallen into this pit.


After losing consciousness again, the narrator discovers that the prison is slightly illuminated and that he is strapped to a wooden frame on his back, facing the ceiling. Above him is a picture of Father Time, with a razor-sharp pendulum measuring "one foot from horn to horn" suspended from it. The pendulum is swinging back and forth and slowly descending, designed to kill the narrator eventually. However, he is able to attract rats to him by smearing his bonds with the meat left for him to eat. The rats chew through the straps, and he slips free just before the pendulum can begin to slice into his chest.


The pendulum is withdrawn into the ceiling, and the walls become red-hot and start to move inwards, forcing him slowly toward the centre of the room and into the pit. As he loses his last foothold and begins to topple in, he hears a roar of voices and trumpets, the walls retract, and an arm pulls him to safety. The French Army has captured the city of Toledo and the Inquisition has fallen into its enemies' hands.




PART III: The Black Cat





First published in 1843.


In the story, an unnamed narrator has a strong affection for pets until he perversely turns to abusing them. His favourite, a pet black cat, scratches him one night and the narrator punishes it by cutting its eye out and then hanging it from a tree. The home burns down but one remaining wall shows a burned outline of a cat hanging from a noose. He soon finds another black cat, similar to the first except for a white mark on its chest, but he soon develops a hatred for it as well. He attempts to kill the cat with an axe but his wife stops him; instead, the narrator murders his wife. He conceals the body behind a brick wall in his basement. The police soon come and, after the narrator's tapping on the wall is met with a shrieking sound, they find not only the wife's corpse but also the black cat that had been accidentally walled in with the body and alerted them with its cry.



PART IV: The Raven





First published in January 1845, the poem is often noted for its musicality, stylised language, and supernatural atmosphere.


It tells of a talking Raven's mysterious visit to a distraught lover, tracing the man's slow descent into madness. The lover is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the Raven seems to further distress the protagonist with its constant repetition of the word "Nevermore". Its publication made Poe popular in his lifetime, although it did not bring him much financial success. Nevertheless, it remains one of the most famous poems ever written.






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